I saw a guy in a car today. Not a totally shattering experience, it's
true. But he caught my eye.
Why?
Well, it was something to do with the longish sun-bleached hair and dark
shadowed jaw. Something to do with the animation of the face, even
something to do with the gore tex jacket - not, I hasten to add, because I'm
a labels person, but because that immediately took him out of the
ageing-rocker-with-potentially-questionable-personal-hygeine bracket and
put him nicely in the active-extreme-sports-enthusiast slot. Apart from
anything else, he's likely to have better conversation.
So he caught my eye out of a combination of attractive appearance, active
demeanour, and an accessory that put him in a certain bracket.
Which got me thinking. What are the first things that my characters notice
about each other, and why?
Here's a selection:-
Run Among Thorns He was a big man, dark and intimidating, but that was about as far as her impression went. If someone had asked her to describe his face, she would have had trouble. She was just so tired. Rescuing Rachel (The heroine has just been involved in a car accident)
There was a face at the window, blurred by something. The face was dark, vibrant, like an impressionist painting of strength. She closed her eyes for a moment, and opened them again. The blurring was her eyesight, she found, noting it with a detached portion of her mind while she watched the dark face moving beyond the glass.And a few paras later....
To prove it, she turned her head a little, found that up this close the blurring of her vision was less, and her eyes collided with those of the man outside.
Because it was a man. That much was blatantly obvious. The smooth hard lines of his face were beautiful, but very masculine. The line of his brows were drawn together in a frown that turned his face into a study of anger: dark, violent, virile.
Then the frown slipped away and he leaned closer, inches away, kept from her by a single sheet of glass. There was a sheen of sweat on his temples and a flush across his cheeks. UntitledThere was a woman sitting under a sweet chestnut tree on the slope of Caesar’s Camp.
Sat under one of his sweet chestnut trees, for God’s sake. She had her knees drawn up, and her back to the grey trunk. Her head was tipped back against the deeply ridged bark so that her golden hair tumbled down over her shoulders and halfway down her back. Her eyes were closed, and she was crying.
That one's actually the first line, but the situation is WAY derivative - can you spot the inspiration? Clue - English romantic suspense novel.
Dangerous LiesHe was fair... no, he was golden, gilded, bright. Tall, slim, with a grace of movement that made her stomach clench. His hair was short, tousled, but his grooming was impeccable. Blue eyes, a face lined in the shape of a smile, even now, as he frowned at her. Surfer dude meets the City of London. The debonair beach bum. What I'm spotting here is that, a) I tend to have heroines start a book in a state of shock or emotional distress and b) I'm not putting in the gore tex jacket. Where are my props that help the character place who they're seeing? Hmmm. Something to work on.
What about yours? What is that all-important sentence or paragraph in your
current WIP, where we get a look at the Hero (or heroine!) from the other
protagonist's point of view for the first time?